PixlBit

As a fan of the Persona series, I'm delighted by the release of Innocent Sin. It's the one chapter I've never been able to experience, solely because it was left in Japan more than 12 years ago. Now that it's here, my feelings on it are mixed at best. Truth be told, Persona 2 is not a game that has weathered the years well. It's full of old school RPG designs and has been completely eclipsed by Persona 3 and 4. At this point, Innocent Sin is a game that only the most diehard of fans will be able to appreciate.

Innocent Sin suffers a number of problems, most of which aren't truly the fault of the game. For one, it's a game brought back from the past that absolutely no one will have nostalgic ties to. Having never released in America, at no point during your play time will you be able to glaze over the rough patches and push through to that great part that's due to come at a later point in the game. As such, you'll be forced to push onward, without any clear idea if what you're doing is truly worth the effort.

Worse, the game is rooted in gameplay elements that have since been done away with by the vast majority of RPGs that succeed it. Random battles are the most egregious and they're more plentiful here than I have seen in a very long time. Exploration is completely discouraged by the insanely high encounter rate, making many of the dungeons a constant grind.

The battle system, which offers depth, but lacks the polish of the one featured in both Persona 3 and 4 does a decent job of holding up the gameplay. Negotiation has been excised from the more recent Persona games, but is a cornerstone of the Persona 2 experience. While negotiation has a plethora of results, the most important will provide players with a tarot card, which is used to fuse new personas.

Fusion, a staple of the MegaTen series, is absolutely one of the best parts of the experience. When the system was first introduced to me in Persona 3, I couldn't believe what depth it added to the experience. The same absolutely holds true here.

With tarot cards in hand, players can go to the Velvet Room and combine varieties of the cards to produce new Personas. It's necessary to have a stable of Personas on hand in order to combat the more challenging foes you'll encounter along the way. Because of the weakness system, you'll need Personas of all sorts with different elemental attacks to inflict the most damage. There's something inherently addictive about collecting as many Personas as possible and trips to the Velvet Room are often exciting as there you can finally realize the fruits of your labor.

What's truly a shame is that the astronomical encounter rate makes the process of acquiring new tarot cards for fusion mundane. You'll quickly learn what negotiation techniques work on which demons and employ them without thought, over and over and over. The same can be said of general battle techniques, which must be tailored to the demons who challenge you in a given battle. You'll learn weaknesses and continue to attack in the same ways each and every time you encounter the same foe.

The dungeon designs only make the encounter rate that much more frustrating. You're never quite clear where you are going and more often will find yourself scouring every inch of the map, which means you'll encounter that many more demons along the way. The funny part is that when the game released, gameplay of this sort was very much par for the course, so it's unlikely it would've struck a nerve with most gamers.

The one thing that has benefited greatly from this delayed release is the translation. As is typical of Atlus these days, the game is masterfully translated, properly capturing the tone and meaning behind the originally Japanese text, all while intertwining a certain amount of humor and personality.

As a matter of fact, most will only push through the game to continue to explore the game's story and characters. While you won't get the robust social interaction as featured in Persona 3 and 4, the game's story and concept lends itself nicely to consistently interacting with NPCs.

Rumors are the backbone of the game and they set the stage for the main plotline as well as a wide variety of plotlines that unfold as the game progresses. Rumor has it that if you dial your own cell phone number, the Joker will appear and grant you your wishes; however, if you fail to answer, for whatever reason, you will become a shadow of your former self, losing all drive and ambition. When your ragtag group decides to test the validity of this rumor, it of course turns out to be true. When the Joker shows up, things take a twist that kicks the story into action – it seems you all have wronged this supernatural being in the past and for this he seeks revenge.

As you progress through the game to get to the bottom of this phenomenon, you'll come to find that in this world, when rumors spread, they become reality. In order to utilize this to your benefit, it behooves you to traverse the land, talking to all sorts of folks in order to spread rumors and change the world to accommodate your needs.

While the premise of Persona 2: Innocent Sin is creative, albeit weird, it's hindered greatly by the high random encounter rate. With the massive improvements made in more recent Persona games, it's quite hard to return to Innocent Sin. Toss in the fact that there's no nostalgia for the game due to its late localization and you're left with an experience that only the most devoted of Persona fans and classic RPG enthusiasts can enjoy.